Thursday, April 29, 2010

"The opening chords are from the last movement of Vaughan Williams' Sixth Symphony. It goes from there to a Skip James motif. Following that it moves to a Gregorian chant, Dies Irae. It's the most scary one in the Episcopal hymn books, it's all about the day of judgment. Then it returns to the Vaughan Williams chords, followed by a blues run of undetermined origin, then back to Skip James and so forth."

-- John Fahey, describing his piece, "Stomping Tonight on the Pennsylvania/Alabama Border" as found on the album Death Chants, Breakdowns and Military Waltzes.

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